That’s the paradox of film sound: It shapes the experience without announcing itself. Dialogue, music, and effects exist in a dynamic relationship, with priorities shifting moment by moment depending on what the audience needs to feel.
In immersive formats, that control extends beyond the screen. Sound can move above, behind, and around the listener, so they feel like they’re inside the environment, rather than simply observing it.
But that level of detail doesn’t always survive the trip home.
Film sound is meant to surround you—to create space, depth, and movement around the listener. On a TV with tiny built-in speakers, that space collapses. Details disappear. What was immersive becomes flat.
That gap isn’t about volume; it’s about how much of the original detail comes through. And it’s why even modest system upgrades can transform the experience. “The more you can do to re-create the environment that we’ve created the sonic story for, the more fun you’re going to have at home listening,” Lefferts says.
Where it all comes together
Sound is built into the story. When it translates, the story lands. When it doesn’t, something essential is lost. That’s the throughline behind Meet the Makers—and behind Sound Made Better: preserving the nuance, detail, and intent built into what we hear.
Watch the full episode to hear Leff Lefferts break down how film sound is built, and what it takes to experience it as intended.
And if you’re just joining the series, start with episode one, featuring mastering engineer Michael Romanowski.